Harry has been creating visual effects for over 30 years, excelling in both the Hollywood and Asian film industries, spending two decades at Rhythm and Hues, and a nearly decade in China at Base FX and Pixomondo before arriving at Scanline. Harry’s extensive body of work includes franchises such as Aquaman and Harry Potter and Sorcerer’s Stone, intimate projects like Martin Scorsese’s Silence, and the Chinese blockbuster The Wandering Earth and the Fengshen Trilogy. His innovative work, including the development of a unique mesh warper for Snow White and the Huntsman, contributed to that film’s visual effects Oscar nomination. Harry is based in South Korea and is a member of the VFX branch of the Academy of Motion Picture Arts and Sciences.