Adam began his career as a compositor at VFX houses such as Rhythm & Hues, MPC, and ILM. He joined Scanline over a decade ago as a Compositing Supervisor, advancing to VFX Supervisor and demonstrating his versatility across genres, including superheroes (The Flash), creatures (Meg 2: The Trench), and fantasy (Avatar: The Last Airbender). His work on the supernatural series Shadow & Bone earned him his first Emmy nomination.