A deep-sea submersible filled with an international research crew lies disabled at the bottom of the Pacific after having been attacked by a massive shark previously thought to be extinct.
With time running out, expert deep sea rescue diver Jonas Taylor is recruited by a visionary Chinese oceanographer to save the crew—and the ocean itself—from this unstoppable threat: a pre-historic 75-foot-long shark known as the Megalodon. What no one could have imagined is that years before, Taylor had encountered this same terrifying creature. Now he must risk his own life to save everyone trapped below…bringing him face to face once more with the greatest and largest predator of all time!
Crew Credits
- Mohsen Mousavi VFX Supervisor
- Paul Kolsanoff VFX Producer
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The Art of VFX
THE MEG: Mohsen Mousavi – VFX Supervisor – Scanline VFX
Mohsen Mousavi began his visual effects career more than 13 years ago. He worked at Pixomondo from 2005 to 2012 on films such as NINJA ASSASSIN, 2012, HUGO and RED TAILS. He then joins Scanline VFX in 2012 and works on 300: RISE OF AN EMPIRE. He then takes care of the effects on POMPEII, SAN ANDREAS and INDEPENDENCE DAY: RESURGENCE.
Ziva Case Study
Intel and Ziva Dynamics: Making the Prehistoric Possible
Internationally renowned visual effects studio Scanline VFX harnessed the power of soft-tissue simulation with Intel AI and Ziva Dynamics to raise the megalodon from extinction in the highly-anticipated summer blockbuster, The Meg.
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