Dive into uncharted waters with Jason Statham and global action icon Wu Jing as they lead a daring research team on an exploratory dive into the deepest depths of the ocean.
Their voyage spirals into chaos when a malevolent mining operation threatens their mission and forces them into a high-stakes battle for survival. Pitted against colossal Megs and relentless environmental plunderers, our heroes must outrun, outsmart, and outswim their merciless predators in a pulse-pounding race against time.
Crew Credits
- Sue Rowe VFX Supervisor
- Roland Langschwert VFX Supervisor
- Sebastian Becker VFX Supervisor
- Melissa Olsen VFX Producer
- Julia Smola VFX Producer
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In the Media
before & afters
Need to create a giant CG octopus? Why not start with the real thing
When Scanline VFX visual effects supervisor Sue Rowe was tasked with overseeing the creation of the giant octopus in Ben Wheatley’s Meg 2: The Trench, she went straight to the closest thing possible: a real one.
The Art of VFX
Meg 2 – The Trench: Sue Rowe – VFX Supervisor – Scanline VFX
Back in 2018, Sue Rowe explained the work done by Scanline VFX on The Meg. She went on to work on A Series of Unfortunate Events, Shadow and Bone, Eternals, The Adam Project and Slumberland.
Animation World Network
Scanline VFX Takes a Big Bite Out of ‘Meg 2: The Trench’
The studio delivers 590 shots across 20 sequences, including the prehistoric opening, the final battle, and loads of creature work on a T. rex, giant octopus, snappers, and megalodon triumvirate of Apex, Haiqui, and Bob, in Jason Stathom and Warner Bros.’ ‘The Meg’ sequel.
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When the children of the world’s greatest secret agents unwittingly help a powerful Game Developer unleash a computer virus that gives him control of all technology, they must become spies themselves to save their parents and the world.
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